Citizen Kane from Hero to Isolation - 1248 Words

Citizen Kane Citizen Kane, a movie that was nominated for nine academy awards and won the Academy award for best writing is considered to be one of the greatest movies ever made. In order to understand why Citizen Kane has been so beloved in the world of film because of how realistic it felt although being a work of fiction or as the French call it a film à   clef (French for Film with a Key) one must pick apart the all the parts that make a movie successful from its actors, lighting, plot, etc. The movie Citizen Kane brings in the audience into the life of Charles Foster Kane who is the main focus of the story and gives information on his life via a parody of the old â€Å"March of the Times† newsreels that were commonly used in the†¦show more content†¦Thatcher which will result to the removal of Charles from his childhood home and thus his parents as well. (Jaffe, Ira S) Within Citizen Kane there are important themes that draw in the audience, themes that the audience can relate and even sympathize with which makes the human emotions within the film feel genuine and not acted out/scripted. The first theme is the difficulty of getting the true story of Charles Kane’s life. The audience can only gather so much on his life as Charles Kane himself is deceased and the only things left to gather on his life are newsreels, personal testimonies and manuscripts left by those who knew Mr. Kane and even these facts are mired by prejudices which makes their reliability shaky at best. The audience can also resonate in agreement to a line said by Mr. Thompson when a female reporter believes if he found out what Rosebud meant to Mr. Kane then he could find out everything of Mr. Kane’s life to which Mr. Thompson simply says â€Å"No, I dont think so; no. Mr. Kane was a man who got everything he wanted and then lost it. Maybe Rosebud was something he couldnt get, or something he lost. Anyway, it wouldnt have explained anything... I dont think any word can explain a mans life. No, I guess Rosebud is just a... piece in a jigsaw puzzle... a missing piece.† (Thomson, David) Another theme which was more or less a first was criticism of the American Dream, when the audience watches Charles Kane’s early childhood whereShow MoreRelatedOrson Welles And Citizen Kane2180 Words   |  9 Pagesin half between his polar personalities. Charles Foster Kane has recently died and the predicament of interpreting his life and its meaning is left upon a single reporter. â€Å"†¦A group of prominent films critics were asked to list the greatest directors and the greatest films, Orson Welles and Citizen Kane both came in first (Carringer 32).† Orson Welles’ produces, co-wrote, directed, and starred in the great American classic film, Citizen Kane, at the age of 26. Throughout this entire film, the audienceRead MoreThe Classical Narrative System2018 Words   |  9 Pagescinematic image became secondary to the requirements of a specific type of story. In any classical narrative a problem arises early on in the story which disrupts the peace of the fictional world. It is then up to the protagonist, usually a male hero figure, to resolve all of the problems necessary to return that world to order. This could be said to be the definition of a classical narrative. The course of the narrative is focused on coming to terms with the disruption so that every problemRead MoreThe Mark Of A Good Auteur1754 Words   |  8 Pagesfilmmakers and films to add to the canon, the determining criteria can be varied. Typically, canonical films are by visionary auteur filmmakers who ve left some sort of an impact. Sometimes, the impact is only felt long after a film is released (Citizen Kane, for example). Canonical filmmakers create films that surprise, delight, tell a story of cinema, and show something new the audience. They build on what has come before and alter it to fit their own tastes. The mark of an auteur is someone withRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesNOTE ON THE TRANSLATION larly dolly in and dolly out are used rather than forward and rear. Mise en scà ¨ne is also retained in its filmic use, while staging is used to describe a stage production. The term constantif, which Metz borrowed from Austin, should be rendered by constantive and not by ascertaining (p. 25). Finally, actor to translate Greimas s concept of actant is misleading and actant is usually kept (see Ducrà ´t and Todorov, Encyclopedic Dictionary of the Sciences of LanguageRead MoreFundamentals of Hrm263904 Words   |  1056 Pagessave money From multiple study paths, to self-assessment, to a wealth of interactive visual and audio resources, WileyPLUS gives you everything you need to personalize the teaching and learning experience.  » F i n d o u t h ow t o M A K E I T YO U R S  » www.wileyplus.com ALL THE HELP, RESOURCES, AND PERSONAL SUPPORT YOU AND YOUR STUDENTS NEED! 2-Minute Tutorials and all of the resources you your students need to get started www.wileyplus.com/firstday Student support from an experiencedRead MoreManaging Information Technology (7th Edition)239873 Words   |  960 PagesBrothers Cover Printer: Leghigh-Phoenex Color Text Font: 10/12, Times Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on appropriate page within the text. Microsoft ® and Windows ® are registered trademarks of the Microsoft Corporation in the U.S.A. and other countries. Screen shots and icons reprinted with permission from the Microsoft Corporation. This book is not sponsored or endorsed by or affiliated with the Microsoft CorporationRead MoreDeveloping Management Skills404131 Words   |  1617 PagesWeidemann-Book Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on appropriate page within text. Copyright  © 2011, 2007, 2005, 2002, 1998 Pearson Education, Inc., publishing as Prentice Hall, One Lake Street, Upper Saddle River, New Jersey 07458. All rights reserved. Manufactured in the United States of America. This publication is protected by Copyright, and permission should be obtained from the publisher prior to any prohibited reproductionRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 Pages10.5/12 ITC New Baskerville Std Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on the appropriate page within text. Copyright  © 2013, 2011, 2009, 2007, 2005 by Pearson Education, Inc., publishing as Prentice Hall. All rights reserved. Manufactured in the United States of America. This publication is protected by Copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval

Modernist Poets E.E. Cummings, Wallace Stevens, and T.S....

Modernist Poets E.E. Cummings, Wallace Stevens, and T.S. Eliot Change the Face of American Poetry Modernist poets such as E.E. Cummings, Wallace Stevens, and T.S. Eliot changed the face of American poetry by destroying the notion that American culture is far inferior to European culture. These and other American poets accomplished the feat of defining an American poetic style in the Modern Era by means of a truly American idea. That idea is the melting pot. Just as American culture exists as a mixture of races, beliefs, and ideas, the new American style of poetry exists as a mixture of old English styles with a new concept of the international style. Modern poets experiment with language, theme, and convention to cleanse language†¦show more content†¦Pound was showing influence from the fourteenth-century Italian poets such as Guido Cavalcanti. In their works that follow their time in Europe, both Eliot and Pound display a hybridization of English and French and Italian ideas. Cummings began to imitate French Modernist poets Guillaume Apollinaire and Stephane Mallarmà © . He also adopted an aesthetic based on the manifestos of French Surrealists and Dadaists, who detached literature from referential meaning and linked it to experimental play (McQuade 1235). Such experimental play is seen in Cummings poem [she being brand] in which the creatively formed words and syntax give the image of a young mans thoughts, feelings, and actions upon driving his new car: again slo-wly; bare,ly nudg. ing (Cummings 15). The use of punctuation gives a vivid image of his thoughts as he carefully puts the stiff transmission into gear. Into another Cummings poem, [in Just-], we see more experimental play with the words to create the impression of the way excited children talk: and eddieandbill come running from marbles and piracies and its spring (Cummings 6). Wallace Stevens was influenced by French poetry and art. Stevens often intertwined French and English in sentences, as in the line from The Plain Sense of Things: We had come to an end of the imagination / Inanimate in an inert savoir (Stevens 4-5). Stevens style seemed to imitate the French

The Base Stock Model Free Essays

The Base Stock Model 1 Assumptions ? Demand occurs continuously over time ? Times between consecutive orders are stochastic but independent and identically distributed (i. i. d. We will write a custom essay sample on The Base Stock Model or any similar topic only for you Order Now ) ? Inventory is reviewed continuously ? Supply leadtime is a fixed constant L ? There is no fixed cost associated with placing an order ? Orders that cannot be fulfilled immediately from on-hand inventory are backordered 2 The Base-Stock Policy ? Start with an initial amount of inventory R. Each time a new demand arrives, place a replenishment order with the supplier. An order placed with the supplier is delivered L units of time after it is placed. ? Because demand is stochastic, we can have multiple orders (inventory on-order) that have been placed but not delivered yet. 3 The Base-Stock Policy ? The amount of demand that arrives during the replenishment leadtime L is called the leadtime demand. ? Under a base-stock policy, leadtime demand and inventory on order are the same. ? When leadtime demand (inventory on-order) exceeds R, we have backorders. 4 Notation I: inventory level, a random variable B: number of backorders, a random variable X: Leadtime demand (inventory on-order), a random variable IP: inventory position E[I]: Expected inventory level E[B]: Expected backorder level E[X]: Expected leadtime demand E[D]: average demand per unit time (demand rate) 5 Inventory Balance Equation ? Inventory position = on-hand inventory + inventory onorder – backorder level 6 Inventory Balance Equation ? Inventory position = on-hand inventory + inventory onorder – backorder level ? Under a base-stock policy with base-stock level R, inventory position is always kept at R (Inventory position = R ) IP = I+X – B = R E[I] + E[X] – E[B] = R 7 Leadtime Demand ? Under a base-stock policy, the leadtime demand X is independent of R and depends only on L and D with E[X]= E[D]L (the textbook refers to this quantity as ? ). ? The distribution of X depends on the distribution of D. 8 I = max[0, I – B]= [I – B]+ B=max[0, B-I] = [ B – I]+ Since R = I + X – B, we also have I–B=R–X I = [R – X]+ B =[X – R]+ 9 ? E[I] = R – E[X] + E[B] = R – E[X] + E[(X – R)+] ? E[B] = E[I] + E[X] – R = E[(R – X)+] + E[X] – R ? Pr(stocking out) = Pr(X ? R) ? Pr(not stocking out) = Pr(X ? R-1) ? Fill rate = E(D) Pr(X ? R-1)/E(D) = Pr(X ? R-1) 10 Objective Choose a value for R that minimizes the sum of expected inventory holding cost and expected backorder cost, Y(R)= hE[I] + bE[B], where h is the unit holding cost per unit time and b is the backorder cost per unit per unit time. 11 The Cost Function Y (R) ? hE[ I ] ? bE[ B] ? h( R ? E[ X ] ? E[B]) ? bE[ B] ? h( R ? E[ X ]) ? (h ? b) E[ B] ? h( R ? E[ D]L) ? (h ? b)E ([ X ? R]? ? h( R ? E[ D]L) ? (h ? b)? x ? R ( x ? R) Pr( X ? x) ? 12 The Optimal Base-Stock Level The optimal value of R is the smallest integer that satisfies Y (R ? 1) ? Y ( R) ? 0. 13 Y ( R ? 1) – Y ( R) ? h ? R ? 1 ? E[ D]L ? ? (h ? b)? x? R? 1 ( x ? R ? 1) Pr( X ? x ) ? h ? R ? E[ D]L ? ? (h ? b)? x ? R ( x ? R) Pr( X ? x) ? h ? (h ? b)? x? R? 1 ? ( x ? R ? 1) ? ( x ? R) ? Pr( X ? x) ? h ? (h ? b)? x ? R? 1 Pr( X ? x) ? h ? (h ? b) Pr( X ? R ? 1) ? h ? (h ? b) ? 1 ? Pr( X ? R) ? ? ? b ? (h ? b) Pr( X ? R) ? ? ? ? 14 Y ( R ? 1) – Y ( R) ? 0 ? ?b ? (h ? ) Pr( X ? R) ? 0 b ? Pr( X ? R) ? b? h Choosing the smallest integer R that satisfies Y(R+1) – Y(R) ? 0 is equivalent to choosing the smallest integer R that satisfies b Pr( X ? R) ? b? h 15 Example 1 ? Demand arrives one unit at a time according to a Poisson process with mean ?. If D(t) denotes the amount of demand that arrives in the interval of time of length t, then (? t) x e t P r( D ( t ) ? x ) ? , x ? 0. x! ? Leadtime demand, X, can be shown in this case to also have the Poisson distribution with (? L ) x e L P r( X ? x ) ? , E [ X ] ? L , and V ar ( X ) ? ? L . x! 16 The Normal Approximation ? If X can be approximated by a normal distribution, then: R * ? E ( D ) L ? z b /( b ? h ) V ar ( X ) Y ( R *) ? ( h ? b ) V ar ( X )? ( z b /( b ? h ) ) ? In the case where X has the Poisson distribution with mean ? L R * ? ? L ? z b /( b ? h ) ? L Y ( R *) ? ( h ? b ) ? L ? ( z b /( b ? h ) ) 17 Example 2 If X has the geometric distribution with parameter ? , 0 ? ? ? 1 P ( X ? x ) ? ? x (1 ? ? ). ? E[X ] ? 1? ? Pr( X ? x ) ? ? x Pr( X ? x ) ? 1 ? ? x ? 1 18 Example 2 (Continued†¦) The optimal base-stock level is the smallest integer R* that satisfies Pr( X ? R * ) ? b b? h ln[ b ] b ? h ? 1 ln[ ? ] ? 1? ? R * ? 1 b ? ? R* ? b? h b ? ? ln[ ]? ? * b? h ? R ? ln[ ? ] ? ? ? ? 19 Computing Expected Backorders ? It is sometimes easier to first compute (for a given R), E[I ] ? ? R x? 0 ( R ? x ) Pr( X ? x ) and then obtain E[B]=E[I] + E[X] – R. ? For the case where leadtime demand has the Poisson distribution (with mean ? = E(D)L), the following relationship (for a fixed R) applies E[B]= ? Pr(X=R)+(? -R)[1-Pr(X? R)] 20 How to cite The Base Stock Model, Papers